Power of one film essay

Let’s be clear: This is not a conspiracy — by Rotten Tomatoes or anyone else. It’s a subtle and insidious tendency made tangible by the ritualized collating of reviews. Yet critics are the last people on earth who should want to be conformists, and the rise of Rotten Tomatoes, not simply as a cult destination but as a cultural institution, now encourages them, on a weekly basis, to do so. Fresh and Rotten have become the new thumbs, and if that’s the digit you’re going to be using, it doesn’t allow for much wiggle room.

World makers, social network makers, ask one question first: How can I do it? Zuckerberg solved that one in about three weeks. The other question, the ethical question, he came to later: Why? Why Facebook? Why this format? Why do it like that? Why not do it another way? The striking thing about the real Zuckerberg, in video and in print, is the relative banality of his ideas concerning the “Why” of Facebook. He uses the word “connect” as believers use the word “Jesus,” as if it were sacred in and of itself: “So the idea is really that, um, the site helps everyone connect with people and share information with the people they want to stay connected with….” Connection is the goal. The quality of that connection, the quality of the information that passes through it, the quality of the relationship that connection permits—none of this is important. That a lot of social networking software explicitly encourages people to make weak, superficial connections with each other (as Malcolm Gladwell has recently argued 1 ), and that this might not be an entirely positive thing, seem to never have occurred to him.

Power of one film essay

power of one film essay


power of one film essaypower of one film essaypower of one film essaypower of one film essay